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Miranda Forrest
Miranda Forrest

Address:
13 Bornais
South Uist
Scotland
H58 5SA

Telephone (UK):
01878 710360

Email Miranda

 

Miranda Forrest at the potter's wheel at Glasgow School of Art

Some examples of other ceramic work:

black throated Diver sculpture
Black-throated diver

bowl made from local materials
Bowl made of local materials

teapot and cups
Thrown work from local materials

teapot and cup from local materials
Thrown work

Exhibition Piece:

Bird Line ceramic pot
Bird Line

Bird Line detail
Detail from Bird Line


Inspiration:

birds on line
Birds on lines

Great Auks ceramics
Great Auk sculptures

 

Blue Spiral

 

Nine on Line

The ceramic piece I have made for the ‘Nine on Line’ exhibition, is a garden pot, intended for growing flowers in. It is constructed by rolling clay into a long line and coiling it into a pot, the line then continues externally in the decoration.

‘Nine on Line’ is about the linking of people of similar interests through the internet. The  decoration on my pot is alluding to ‘Bird Line’, an internet site for people interested in birds, that often brings birdwatchers to the island to see a rare bird.

Shetland Wren    Hooded crow's nest in wire coil
Shetland Wren            Hooded Crow nest in wire coil    

My birds are however in this instance not rare but based on ‘troglodytes troglodytes hebridensis’, the Hebridean wren that nested in my workshop, and birds in general grouped on telephone lines, that link me to the internet. Coils of wire that crofters have a habit of leaving lying around, one in particular that the wrens used to perch on, gave the idea of coiling a pot to be outside.

About me

I moved to South Uist, one of Scotland’s Western Isles, or Outer Hebrides in 1999. I love the remoteness and the abundance of wildlife, nature is not yet tamed on South Uist, although as everywhere slowly in decline and endangered by global warming. I am inspired by the natural landscape, and am constantly intrigued by the natural resources that I can dig up and use as ingredients for glazes. Putting peat ash that I have dug as peat for warmth in the winter, from a bog that continues to grow, into glazes gives me great interest and a feeling of continuity with past potters, who only had local ingredients to use. I also find iron, and a clay slip glaze that I can dig on the shore.

Miranda collecting materials from the shore on South Uist    Miranda Forrest with Skua
At work, digging for iron        Close encounter with Skua

The degree course at The Glasgow School of Art has greatly expanded my ceramic horizon, and encouraged me to experiment in directions I would not otherwise have done. Distance learning in this way is a real asset to people who live in remote places, as I do.

I sell my work directly from my workshop, and locally through a shop that we collectively run as the ‘Uist Craft Producers’.